idle rebel

2009-04-23T05:28:00.002-07:00

Merchandising…

Mailing cranky buying houses.

Finding buttons, zippers and fabric for fit samples

Matching thread shades

Running with samples to the washing unit.

Sending couriers

Endless journeys by bus

Santhome to Ambattur

Ambattur to Santhome

Bus stops

Going from factory to factory

Filing

Answering the phone

Pacifying people

Yelling at people

Being yelled at by people

Merchandising…

Did I really study design for all this?

When I finished college, I prayed: Lord, let me not join any job that does not give me time for You. Nine months into my first job, I find I have no time for anything besides my job. I have stuck to it in spite of everything because I do not like accepting defeat; if I quit once the going gets tough, how would I ever face the challenges of life? Besides, the Lord would not put me through anything, even an unrewarding, underpaid, backbreaking job, without a purpose. I stick to it.

Nine months. Lord, I think no longer of facing and overcoming the challenges of learning a new line of work and doing well at it. I only find myself drawing farther and farther from you. And that, Lord, is more terrifying than anything else. What am I to do, Lord, I cry out to you!

You answer in just one word:

Quit.

Quit? QUIT? Okay, quit when?

Now.

This is the worst time, Lord! The world is in recession. Textile design jobs in Chennai are virtually non-existent, even at the best of times. And now?? Impossible to get another job! What will I quit and then do? Sit at home? I could not bear it!!

Trust me.

I wish I could say it was easy, that I said, like Mary, that His Will be done. Oh, but I was frightened! I feel like a mountaineer hanging onto a rope for all he is worth, and suddenly being asked to let go. Supposing it isn’t the Lord speaking to me? Supposing it is just my weakness, asking me to give up? I go back to prayer, this time with my mom. Again the clear command: leave the job. Trust Me. Put your future in My hands. I give in my resignation the next day.

My boss’ first reaction is unexpected. He says, good. You are very talented, capable of much more than this job. I’ve often wondered what you are doing here. Oh. After nine months of more negative feedback than not on my performance, this comes as a rather big surprise.

The pressure comes later. Why do you want to leave? Don’t go! You’re good. Look at the world situation, where will you get another job? At least stay till you get some other opening. Complete a year and leave or all this experience will not count. The endless clamouring of the world, of the people whose advice I respect combines with my own doubts and confusions and I face each day with fear and indecision.

Trust me.

Take back your resignation, I am asked. My replacement arrives, and yet my boss asks me to take back my resignation. We’ll put him somewhere else. Mind you, my company is sending home its’ employees because of the recession, and here they are, asking me to stay. I am very fond of my team; they are like family. I waver.

Trust me.

I am reaching the end of my notice period. Lord, I’ve listened to you. I’m afraid, but I trust in you. I trust in you.

Four days before my final day at work, one of my lecturers from college tells me about an opening for a textile designer and researcher in an NGO dedicated to reviving and documenting languishing crafts. It sounds interesting; I give it a try. I find that the NGO deals with the social aspect of using craft to build community and village economy, something I am rather passionate about. The director who is conducting the interview takes one look at my MA project work and finds that it is very close to what the NGO itself is doing. I love research; she desperately needs someone who can write well. The pay? Exactly double my previous pay. The office? Merely ten minutes away from my house. I can hardly take it in.

I got the job.

All kudos to the Lord who gives us far more than we can ask or even dream about. Sometimes God’s will does not involve my climbing the mountain, it is just letting go of the rope. Trust is free falling into nothingness, of letting someone else take over. Trust is listening to my God tell me, like he told St. Thomas, to be not faithless, but believe.

At the end of the day, all it needed was a little faith.

2008-05-01T22:19:00.000-07:00

Just realized.. You have no idea what my project was even about.. So. Behold my project abstract!

The Chennai of my heart: the Marina, the tiny lanes, the sweeping beam of the lighthouse, thali meals in Mylapore, delicate pulli kolams, temple, church and mosque on the same road, strings of jasmine, big, green buses, brightly coloured kodams… in the midst of all these memories of a lifetime spent in Chennai, the Napier’s bridge stands out sharply.

The Napier’s Bridge or the Iron Bridge is one of the best-known civil architectural structures in Chennai, and its graceful arches have always appealed to me. It reminds me of innumerable visits to the trade fair in my childhood and the sight of the bridge as we approached seemed a symbol of the pleasures to follow! Its location ensured I passed it to and from every train journey I ever made, and the sight of the arches always told me I was home in the city I love. Its presence in every other Tamil movie told me that the Iron Bridge is recognized as an integral part of Chennai, almost iconic in its status. While fulfilling to perfection my aim to create a fabric inspired by something typically Chennai, the Napier’s Bridge also gives me a chance to explore the forms and curves created by the structure of the bridge.

Atara is a collection of apparel yardage for women in natural fabrics, hand block printed with vegetable dyes, the designs being geometrics inspired by the bridge. The designs are graphic and bold, an abstraction of the bridge as personal as a work of art in its interpretation. The bridge, here, is both an inspiration and a metaphor; it stands as a link between the organic, embodied in the technique I am using and the geometric, visualized in the design elements.

I have executed my project at Kalakshetra’s Craft Education and Research Centre, in their natural dye and block-printing unit. Having been expressly started to ensure that the craft of natural dyeing and printing and hand painting is properly documented and preserved, it also teaches the craft to a new audience. In my collection, I have used earthy shades: black, browns and reds, the creamy off-white base setting off the darker colours.

Exploring a variety of silks, linen and cotton, my fabrics emphasize on the comfort factor as well. Natural dyed fabrics are UV sensitive and cause no allergies. They also age very well, the colours fading softly with pleasing effect.

My collection is aimed at creating a bridge between the craft and the market, and providing for contemporary tastes from the traditional craft base. Mine is a feel-good fabric, making people feel happy that they are making a difference in the environment, and supporting a worthy cause – the sustaining of their heritage.

2008-05-01T21:50:00.000-07:00

Since I haven't written ANYTHING else this year ( excepting press release, reviews, verrry boring, I assure you.), I shall have to post my project documentation. This also for all those people who kept asking me what i was doing that was keeping me from updating my blog.. well.. now you know.

Working methodology

The creation of Atara: a design journey

To give a clear idea of my working methodology and the process that brought shape to Atara, I am including my journal at this point.

November ’07:

There have been three presentations this month, to plan and concretize our concepts. I have been given a write up with what I need to look at when I plan my concept, but I am still not sure about what I want to do. Presentation #1 has me explaining two different concepts that are not very practical, and I am asked to work on them a little more. Presentation #2 with Ms. Sumithra, my project guide, and Ms. Anuradha, my external mentor, sees me with two more options, but these, thankfully, a little more workable. The product I have decided upon is yardage and I want to use as my inspiration bridges, or the desert. I am asked to go back, explore and plan on what techniques I can use to express my ideas best. After two weeks of experimentation, I come back for presentation #3. Final option: bridges. However, ‘bridges’ are too vast an inspiration. I need to narrow it down. I look at just Chennai and decide I want a bridge that can be used as a symbol of my city. There can be no second choice; it has to be the Iron Bridge. My product needs to be eco-friendly because that is very important to me. I decide to look at natural dyes and see how it can be worked out. Concept decided, inspiration decided.

December ’07:

I pay a visit to what has now become ‘my’ bridge. Dawn at the Napier’s bridge, with the first rays of the sun glimmering on the sea and a pleasantly cool breeze is magnificent, even with a sleepy and irritated brother in tow. I start taking photographs. Black and white, sepia, colour, close-ups, angles, shadows… I take pictures on my borrowed camera till my brother threatens to throw me into the river if I don’t stop. Back home, I put all the pictures onto my desktop and get to work. I draw the bridge till I am familiar with its shape from most angles. Now the drawings automatically become simpler and can easily be reduced into workable designs. I doodle bridges in my free time, during lectures, in the margins of my book, on odd scraps of paper, and slowly, designs emerge. I refine these on the computer, and discover that interesting effects can be achieved while doodling on Illustrator. I work till I have a body of designs.

I visit Godown Street and buy grey cotton (gada) cloth. The fabric on Cotton Street has more weave variations and cost a good deal more. I go to Nalli in T Nagar, Kumaran Silks and Rasi Silks in Mylapore, and T Mangharams in Parrys for my silks. I buy samples and compare prices till I have an idea of where I can buy my fabrics the cheapest without compromising on quality.

I visit Ms. Lavanya of Kalpana Creations, who conducts workshops on natural dyeing and speak to her regarding natural dyes, colours and methods of implementation. I decide that unless I try out the same, I cannot get a proper understanding of the process. I buy the material and get to work grinding, boiling, straining, dyeing, soaping, rinsing, drying and going thru the same process again till I am tired. My hands are a yellowish tint; all my food has the bitter tang of kadukai, and the grinder is broken. The colours are mostly green and brown, with none of the red and yellow I am supposed to get. I later discover my proportions are wrong, and I have let the fabric soak for too long. At least I can now recognize the basic dyes and what colours they can be expected to produce. More importantly, I have learnt what not to do.

January ‘08:

A visit to the Weavers’ Service Centre is called for, to get further information on printing using natural dyes. On meeting Mr. Mahalingam, their expert on dyeing, he tells me where exactly I have gone wrong in my natural dyeing experimentation: I have used 40g of alum where I should have used just 10g. Weavers’ Service Centre cannot execute block printing with natural dyes in large quantities, as it doesn’t have the necessary infrastructure. He suggests I ask at Kalakshetra, where there is a Kalamkari and natural block-printing unit. He gives me the number of Mr. Ramachandran, Manager, Craft Education and Research Centre (CERC), Kalakshetra Foundation. When I have explained at Kalakshetra what I need, they agree to allow me to execute my project in their unit. However, they have certain limitations: they are best at printing only the colours red, black and chocolate brown, the yellows, blues and greens being more extensively used by the Kalamkari section. My colour experimentation is a little restricted, but working with just three colours (and the base colour) is a challenge and I want to see just how much I can do with it. The printing charges at Kalakshetra are much lower than I expect, at Rs.30 per metre for single coloured blocks. Meanwhile, during the project reviews that have been going on simultaneously, I show my block designs. The ten best designs are selected from among the lot, and I am asked to refine the repeats and give them for carving. I send the designs to Mr. Gangadhar from Pedana, Andhra Pradesh, who is a National Award winning craftsman for woodblock carving, with the promise that I will get my blocks within two weeks.

February ’08:

I go to Kalakshetra to do my colour sampling. However, since I only give small swatches of fabric, they will print it in the middle of their own work, and so do not allow me to view the process involved. This is very disappointing, and I try my best to convince the supervisor, Ms. Banumathi, that I need to be there while the printing is done, but to no avail. I finally give up, and since I plan on giving further samples of different varieties of silk, I decide to try and get permission at least then. The samples are ready in a week, and I discover, much to my delight, that although only three colours have been used, the dye works differently on different fabrics, giving me a variety of tints and shades. The cotton shows the up best; the designs are clear and the colours, bright. On the silks, the colours are a lot more subdued, and the textured silks do not facilitate clear printing. However, the silks have a beauty and lustre of their own that is, in my opinion, unmatched by cotton, however better the design is shown on the latter. I continue working on my mood board, but do not put in the colour swatches yet, as I am not sure of how many colour variations I might get. I go back to Kalakshetra with more fabric: tussah, tussah cotton, linen, and crepe silk from Nalli, and a thinner cotton fabric from Pantheon Road. This time, I manage to get permission to stay and see the process. Since my fabric is of very small quantity, altogether coming up to merely two and a half metres, it is not worked by itself, but with the other fabric that the unit is printing.

I learn that the process has seven stages: scouring and bleaching, soaking in a myrobalan (kadukai/harda) bath, printing, washing, boiling, soap wash and ironing. In between these processes, the fabric has to be dried from between a day to two days. The process is long and laborious, and very time consuming, taking at least a week to finish a single piece of cloth. There are four people in the printing section and three women do the scouring, bleaching, washing, boiling and dyeing. The only place I am allowed to do more than observe is during the washing and boiling stage, where I get into the shallow cement tank that compensates for the lack of a running water source. I hold the fabric under the water and try very hard to follow the instructions given to me. By the time I wash my five small sample pieces, I am dripping, and look like a wet crow after a thunderstorm. After the fabric has dried out, I have the doubtful honour of adding them to a vessel of boiling dye. This involves working the fabric in the dye bath, not only with the pole provided, but also my hands. I gingerly lift out the fabric and drop it right back in with a big splash; it is way too hot. I am advised to hold it with the tips of my fingers, and use the pole for help. I am slowly getting the hang of this. By the fifth fabric, I confidently dip the fabric and work it, and turn to smile triumphantly at the watching women, when I dip my finger along with the fabric into the bath. That is the end of dyeing for me. I am also allowed to soap and beat the fabric on the washing stone. I valiantly get to work whacking and scattering soap in all directions, largely on myself. Extra benefits of my personal involvement: free washing and soaping of self. I leave Kalakshetra with my samples, feeling very clean.

March’08:

With sampling dealt with, I make a list of fabrics I need to buy. The gada is bought from Godown Street, the silks and linen from Nalli, and only the pure silk from Kumaran Silks. I buy twenty-five metres of cotton and five metres each of raw silk, linen, tussah, pure silk and tussah cotton. On later measurement, I discover that the cotton is only ninety-five centimetres where there should be a metre. I find out that this is how gada is sold in Godown Street; and the wholesalers who buy from there are aware of this fact. I have to go back and buy more fabric. When I go to Kalakshetra to start work, I face a huge problem. I had failed to mention in my initial letter that I would need fifty metres of fabric printed, instead only stating that I will need to get my final execution done. I am told that I cannot print so much fabric, but I can print up to five metres of samples. I am totally heartbroken and terribly worried. On talking to Ms. Sumithra, she tells me not to worry, and if nothing else works, I can still get my blocks printed with synthetic pigments. My very USP is the fact that I am using natural dyes. How impressive will my project be if I revert to synthetic pigments? I am inconsolable. The next day, I go back and try explaining how badly I need to complete my project at Kalakshetra. This time, the Chairperson, CERC, gives me permission. I am so relieved, I could weep for joy. Final execution starts! I do the printing in two batches, first the silks and linen, then the cotton. The blocks are unusual, and Prema, my printer, finds it a little difficult to print. She is not used to blocks with so many pins, and is finding it difficult to check the alignment so that the pin marks are not seen. The raw silk and linen do not allow for clear printing, and I go behind Prema as she prints, and fill in the areas where the dye has not touched. The pure silk throws out the design very well, and so does the tussah. I follow Prema around the printing table like an anxious hen. Luckily, she does not protest. The cottons are next, and I tell her to print alternate rows in another colour. This takes a longer time because she needs to change the tray after every row. For a delicate design, she spreads a thin cloth on the dye in the tray so that less dye is taken onto the block and the printing is clearer. The bolder blocks, I discover, smudge at the edges and the outlines are soft and blurry. Next follows a period of worry for me, as a cyclone near Lakshadweep brings about some unexpected rain in Chennai. The silks, luckily, have all dried, but my cotton needs at least two days in the sun before washing. Rains followed by bouts of sunshine keep me swinging between anxiety and relief. I sit in the sandy courtyard next to my fabric, watching the approaching clouds. Just before the rain starts, I grab them and run indoors. After many rounds of this routine, the rains stop, and I am able to continue with the work. The silks go for washing and boiling first, while the cotton dries out in the sun. The first batch comes out fine, but the chocolate is more like dark chocolate this time, as opposed to the milk chocolaty colour in my samples. After the washing and boiling of the cotton, I find that the pin marks and smudges, which were somehow lost on the silks, are very prominent here. One of the bolder designs has smudged rather badly, and one design, printed in black has somehow turned gray after the washing. Apparently, the colours depend on the fabric as well, and even the same cotton, if from a different bale, takes on different colours while dyeing. After soap washing, the fabric is ironed. The last day has me taking photographs of all the women, with a lot of delighted posing. I pay for my printing, the rates having been increased to Rs.45 for cotton and Rs.50 for silk, and dyeing is now charged at Rs.70 per metre. I guess it was too good to last! Still, the amount of work that goes into printing one single fabric is worth much more than the money I pay. I collect my finished work on 29^th March 2008. I make up a few pieces to give an idea of how my fabric could look when it is stitched. I also use the fabrics in which smudging has happened or the colour has bled when boiling. A lot of it is covered up during the stitching. I also print two saris in pure silk and tussah cotton, to show that my designs are adaptable and can be used in different layouts.

Atara has been to me much more than a project; it has been a journey. It has pushed me and tested my limits, it has shown me that the world is not a kind and sympathetic place, and yet again has shown me at unexpected times that there are people who go out of their way to help, encourage and support. Atara has created for me memories and experiences I will carry with me the rest of my life. It has been to me a personal crossover, a vision fulfilled, a tribute to the things I love. Atara has become an extension of myself.

2007-11-13T06:59:00.001-08:00

'...because the only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who never yawn or say a commonplace thing but burn, burn, burn like fabulous yellow Roman candles exploding like spiders across the stars and in the middle you see the blue centre light pop and everybody goes 'Awwwwwww!'

-'On the Road', Jack Kerouac

Amen.

2007-10-06T02:58:00.001-07:00

You are the song that bursts out of my gladness

You are the silence deep in my soul;

My partner who leads me through the dance of life

My Encourager.

2006-12-29T01:31:00.000-08:00

Now that all the dust has settled and the issue is no longer discussed, I wonder why I feel like writing about the Da Vinci debate, but the fact remains that I do. The main reason I didn’t feel like airing my views about it then was because the whole matter seemed so trivial. For me, it was never a matter of faith, but any Christian, I thought, would have felt outrage. I mean, if someone wrote a book stating that Krishna was just man and not god incarnate, a womanizer who is in the same league as the Peeping Tom, I'm sure the writer would have faced much more than mild debate and in some part, belief in what the book stated. Lynching would be my guess, or a long period of hiding with possibly a withdrawing of the book and a public apology thrown in for good measure. There would have been riots and killings, retaliation of no mean order. No matter if the author stated that the book was a work of fiction. Look at what happens when a place religious worship is destroyed or desecrated. This book desecrates the very basis on which Christianity stands. And we hear vague, non-united, isolated protests?? It made me ashamed. More so when I heard people criticize the Vatican for their condemning of the book. I mean, if they didn’t, who would?

If one wrote a sensational and scandalous story about any world leader alive today with just enough half-truths to make it believable, even if the author admits it is fiction (with, of course, the mention that all documentary sources are true!), he would not be allowed to get away with it. And here we are talking about a historical figure of the most widespread religion in the world. How dared he.

I was astonished when the book was not withdrawn. More so when the protest, not the book, was disapproved.

The last straw was being asked by a friend if I believed what the book stated and being greeted with surprised disbelief when I said no, I didn’t.

For me, it isn’t a matter of doctrine. It isn’t just being born into this religion that makes me believe in Jesus. For me, it is a matter of personal experience. If I had previously stuck my hand in fire, no matter what book tried to convince me that fire doesn’t actually burn, it would make no difference to my belief. And if it did manage to brainwash me somehow, I need only to look at the scar to remind myself of the truth. It is only those who have never touched fire or have handled it with only fireproof gloves who can be swayed. It’s the same here, but in a positive sense.

Put against the millions of miracles, healings and conversions that have taken place, the book becomes laughable. Personally, I find the Bible a much more convincing read. The fact that the Code was not written in the intention of presenting the author’s proven belief in what he writes or to destroy Christianity as a religion because he thinks its beliefs are false, but very simply as a tool to obtain fame and money makes it merely cheap.

It is merely the sensation that holds a rather mediocre piece of writing together. There is no brilliance in style, there is no class. Dan Brown will not go down in history as a writer even for the wrong reasons. The book may be a mass entertainer but literature as an art is much more finicky and ten years down the line, no one is going to remember Dan Brown.

And that says it all.

2006-12-29T01:24:00.000-08:00

Passing thru...

Looking back, it was just a blur, a vague memory, a fleeting glimpse of a possibility. It makes me rather afraid to try and put it down, it seems like putting a butterfly in a bottle. Tomorrow, I might get tired of looking at it. Tomorrow, it may die. Maybe I should let it be an elusive, pretty thing that made me smile for a moment.
Maybe, just maybe i can keep an image of it if I am careful.
I think I will try.

While on the road, I was thinking
That very little changes.
I am travelling from one reality to another
To another
And I am still afraid
I still want to go home.
To be invisible.
To hide.
I think I am all grown up
And the frightened little girl has been
Left behind.

Has she?

The wind blows in my face and with it comes the fragrance;
In it, the memory
Of a little girl, laughing,
Waiting for her father.
She is not at home
And she is absolutely,
Transparently happy.
And I know
That the woman that I am cannot be
Without that girl who
In all her fear and confusion,
Knew Joy.

2006-08-14T08:05:00.000-07:00

Grace.
A lilt of music circles the sweat-driven air.
An invisible note,
A silent whisper touches the ear.
I look up.
It curls around a variety of heads, oil-plastered, greasy curls,
Grimy, toiling hands, shuffling feet.
Through the dancing dust - a glimmer of Red.
Anklets.
She sways to her own tune, the beat hidden in her head.
I feel the sound. I hear the voiceless voice.
She lifts another load onto her head
And as she walks away, she leaves behind
The music she chooses her life to be.
Grace taught me that day
How to sing.

2006-07-28T12:11:00.000-07:00

Blogging takes time. Blogging takes effort. Sometimes I wonder why I blog at all. What is the point of stating my opinions to the world in general? I mean, does the world even care? Why should anyone care that I fell off my bike or that I have a problem about so and so? Why do I blog?
I don’t know.
What makes me sit and type out vague, unimportant details of my life when I have plenty of better things to do? People have plenty of better things to do than read the same nonsense too….
Why do I blog, then?
I really have no clue.
Is it cos I have nothing better to do? No. is it cos I love writing? Maybe… but not always.
Is it cos I like getting feedback n comments? I do, but that’s no reason. Is it cos I can use this page as an emotional catharsis? Sometimes. Most times I post silly writing. Why, why, why?!
Okay, blank your mind. Think. Take deep breaths. (Attempts yogic posture. Falls off chair. Picks self up and sits on chair again. Does not re-attempt yogic posture.)
I don’t know.
I write. Period.

2006-07-28T11:16:00.000-07:00

HULLO!! ANYBODY THERE??
I meet a lot of people who go- hey, I read your blogs. They’re cool.
Thank you. How come u didn’t comment?
Well, I'm telling u now.
Yes, but why didn’t u comment on my page?
(Uncomfortably) okay, I will next time.. Maybe.
They don’t. The next time I see them - hey, I checked out your blog about the whatever. It’s really interesting and I so agree with u…..

What is it about not commenting?
You guys read pieces of me!! My life! Say something, respond. Or at least tell me u visited. You know – blahblah was here… something like that.
This is something I feel really strongly about. You visit, you comment. Hand in hand.

If you enter my world, leave footprints.
Thank you.

Comments?

2006-06-12T07:24:00.000-07:00

Red double-deckers…
I'm fascinated by red double-deckers. They hold a much greater charm than blue double-deckers. The fact that I haven’t traveled in either is pretty sad.
What is it that attracts me to double-deckers?
Is it the concept of a ‘driverless’ area? Or is it the feeling of superiority one gets when is higher (literally or hypothetically) than the rest? Or does it come with the same mentality that makes me grab the upper berth during every train journey? Or is it finally just the attraction of something new and unexplored?
Well, the fact remains that all the time I was in Mumbai, the most predominant memory is that of bright red double-deckers careering madly on overcrowded roads. When the likes of these come into sight, lesser lights (or vehicles in this case) fade into insignificance. Especially since if you don’t give it and its path of direction your close and complete attention, you might just get up close and personal with its wheels. And since I didn’t particularly want to end up a Sheila stain on an unnamed Mumbai road, I paid very, very close attention to red double-deckers. From which habit, I imagine, the fascination grew. Mumbai bus drivers are qualified to join the F1 races and they would most probably leave a Schumi stain on the track if they ever did take part. They almost come close to Chennai tanker lorry drivers. Chennai buses, which would look more in place in Pisa, are in a different league altogether and hence no comparison may be made with the roaring red monsters of Mumbai.
For newcomers to Mumbai – do not go out onto the road if you are depressed and look it (the bus drivers use this as justification for running over you). Do not attempt crossing the road unless: 1. you have suicidal tendencies, 2. the traffic has reached standstill cos of interesting vehicle formations (also mainly caused by above-mentioned double-deckers), 3. you have an experienced Mumbai-Walla with u (these seasoned experts can dodge across six lanes of unending and terrifying traffic with the deftness of kabbadi players).
Better option: do not cross road.
Go home.
Unless you live on the other side of the road.

You might, of course, then catch a double-decker to your eternal home…

2006-06-12T05:31:00.000-07:00

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FREE ASSOCIATION WRITING DOESN’T WORK FOR ME.

2006-04-18T23:16:00.001-07:00

Two roads diverged in a lonely wood..

Everyone’s heard Robert frost’s famous poem.
I had to mug it at an early age and then, later, had to work on it from all angles, writing essays, analyses, appreciations, criticisms…
By the end of it all, I heartily hated the poem and once I was done with English classes, consigned it to meander into whatever God-forsaken forest Frost had chosen to write about. And to get lost there.
Little did I ever expect to feel with the dude.
Except that I seem to see dozens of these roads, a few narrower paths and some deer trails as well. Which shall I take?

The well known roads are easier on the feet and are comfortable. There will be other people on the way, footsteps for me to follow, well-worn, deep-trodden, smooth roads. The forest is cut back and divorced from this road. It is almost a highway.

The narrower paths are harder to follow. Not as smoothly laid, with bumps here and there. It is worn, but not often used. I can stop for rest, but mustn’t linger. I may meet another traveler but not often. There will be signposts, but few and far between.

The deer track… why do I like the deer track the best? Narrow and treacherous, the trees creating an arch over my head, the grass grows on the path itself. Tree roots take hold of the feet, a stream suddenly cuts across the path. If I fall, there will be no one to come to my aid. I fall alone and there my journey will end. What pulls my feet to this track?I once chose the narrow path and now I face a fork. Do I take the path to the highway where I shall be safe? Or shall I let my feet take me to the deer trail? I don’t know. Do I have the courage to face the unknown? And by my example, lead others onto my track, making it another highway? Do I have the power to do that? And more importantly, is that what I want? I don’t know.

What shall my choice be? What do I want?

Someday, I shall look back. Maybe then, I shall be able to say if the choices I make now have made all the difference.

For now…

I don’t know.

2006-01-17T05:24:00.000-08:00

It’s been ages since I've last blogged. The fact is that I just don’t have the time. There are so many things I’ve wanted to write about - like the Mylapore festival, my exhibition, my project… but then there is no time and I keep thinking later, let me do it later.. and then it never happens. And if I do finally find the time, the event or incident or whatever is no longer easy to write about. That piece of memory is left just that – a memory. So now, when overwork has finally made me fall sick and take a couple of days off, I'm going to try filling the gap.
I shall write about my Accident.
It wasn’t even a very impressive accident as far as accidents go. And the fact that my mom, my aunt and my brother managed to have one each in the same week kinda robs it of its distinctiveness as well. I mean, if I had to have an accident, why couldn’t I have one without competition in the bargain?? Well, at least I seem to have set a trend…
Anyway, as my first accident while riding a bike, it deserves mention and I shall immortalize it for posterity. Or till my page crashes anyway…
Well, a couple of my cousins had come over and being dead bored, we decided to head over to Spencers. Now even on a normal day, I dislike hanging out in Spencers which is one of the dullest places to be. As in what the hell does one do?? Other than window shop? And how long can anyone window shop anyway? Basically I dislike the atmosphere of the place and go there as rarely as possible.
Back to the story, the six of us set off on three bikes, I riding the TVS 50 which I happen to loathe. My mom and sister and brother and…ok, my family thinks I don’t like being seen on it cos it’s old and beat up. Not true. As in, it is old and beat up and has been in the family for a few centuries, but I don’t like it cos it’s so SLOW!! The pickup is miserable, the rearview mirrors are absent, as are the indicators and the horn. And one more thing, as I later found out.
Well, here we are on Kutchery Road (note, not even an important main road far from home but my local Kutchery Road!!) and I'm riding behind Sangeetha who has appropriated the Activa and is gleefully trying out different speed variants. Suddenly this guy cuts into her path, she brakes, I brake, discover that the brakes are in keeping with the style of the bike – a few centuries old, I slam into Sangu’s bike and with David executing a neat escape off the bike in ways that put in my mind rats and sinking ships, only yours truly is left sprawling in the middle of the road.
Someone lifts the bike off; I pick myself off the road. . At any other time, I would have found the scene funny. Sangeetha is screaming at the idiot who cut in her path, Francis restarts the bike for me; Amuthan asks me if I want to see the doctor. Do I? Hmmm, only the knee hurts other than the bruised dignity. I mean, at least if I had a broken leg and concussion or something to show for having had an accident, it is one thing. But one slightly aching knee? The maanam is the issue for sure.
Well, the guy has given up trying to out-yell Sangeetha, a rather pointless task as I well know and is taking off. I limp to the side of the road and try to dust myself off as best as I can. On the scene appear two cops. We beat it. Bad enough having an accident, there was no need to get caught without a license as well. By the time we reach Spencers, its time for me to head back to sing for the wedding mass…
Well, it was later in the night that the body pain started. And continued for the next couple of very painful days. So all the souvenir I had left from the accident was a body pain I remember from my first land work and gym session and an interestingly purple knee. Definitely not as spectacular or half as dramatic as falling into the Adyar river…or as unique. How many people do you know who have an intimate knowledge of the depths of the Adyar River?? Ah, that experience was worth the indignity… what audience, what applause…
(This is merely a light hearted sketch of the incident and I do not want any comments telling me severely that I should be thankful that it wasn’t more serious. I am.)

2006-01-03T06:11:00.000-08:00

College reopens tomorrow. Hmmm.. It’s a day three. That means I have three hours of MO – advanced design. And I haven’t done the mood boards. Well, you deserve it; you put it off till the last minute. What about the scribbles for the silk screed motif? Not even started? Very good! What do you plan on doing now, Ms. Smarty? You are royally screwed, you know that? Oh my God, what about the project? No research at all done! AM Davierwalla? Don’t even know who the guy is, how the hell do I do a seminar on him?? And there’s nothing on google search too! What’ll I do? What’ll I DO?? Mylapore festival? Nothing done. Folk art? Uh huh. Aiyo… I'm so screwed! What did you waste time for?? I didn’t, amma needed help for Christmas, Shilpa came over… I needed a break, dammit! Yeah, right. Final year, babe, make the sacrifices! Come on, you could have made the time! No, I couldn’t! Fine! Do what you want now. Catholic doctrine assignment! Procedure of marriage followed by the Catholic Church. Why the hell do I have to work on something like that now?? Procedure for marriage, it seems. Chee! Aiyo, mobilization for the Diocesan retreat! Have to talk to Sr. Colleen, have to prepare announcements.. Hmmm, must speak to jenny tomorrow.. Friday prayer meeting!! Don’t panic. DON’T PANIC!! Deep breath, Sheila! Breathe in, breathe out. Breathe in, breathe.. KOLAMS!! Oh s*** forgot completely about that stupid Divercity workshop! Good, continue forgetting about it, it’s too late to do anything now, so leave it. Now concentrate on tomorrow. Finish the mood boards and the scribbles. But the folk art and the.. No, leave it. Be practical, think, Sheila! You can handle this. You’ll survive, you always do. Deep breath. Now say a short prayer. Good, now go and start.

Stress gone. Thank you, blog page.

2006-01-02T22:01:00.000-08:00

ON LOOKING BACK…
Year 2005.
Each year has its own set of memories, some pleasant, some depressing, some painful, some exhilarating. All unforgettable. Well, 2005has been no different in that regard, I guess. A very unforgettable year, if not anything else.
Memories, memories.
In a lot of ways, it has been a brilliant year. Academically, for instance. Hmm, so what new have I done? I've made a lot of new friends, met a lot of different people, started singing after a really long gap, spoken in front of groups for the first time, got involved in a lot more extra-curricular activities than ever before, had my first exhibition, attended my first ever western classical concert, went to the Divine Retreat Centre for the first (and only!) time, broke my personal record writing mails(!), learned to ride a Yamaha (kinda!), took on tons of responsibility and found I could actually deal with it, started blogging!, faced my fear of water and forced myself to swim in the deep end of the pool, had my first serious job, made stupid decisions, some good ones, broken my heart, put it back together, learnt to deal with depression, torn myself down, rebuilt myself, and I am all the stronger for this year. I have learnt to love and to hate. I have learnt it is ok to make mistakes and I have learnt to forgive myself for not being perfect. It has been on of the most packed years in my life and I don’t think I have ever worked harder. And for all its pain and depression, it has been worth it. I have survived. And not just survived, I have a lot to show for it.
There are a lot of things I need to set right, a lot of unfinished goals, a lot of dreams, plenty of uncertainties, fears and worries. But I also have a lot of supportive people around me, people who build me up and help me grow. And best of all, I have my God. Do I need anyone else?
Looking back after some time is, I don’t know, much more important than looking forward. Time blunts the sharpness of pain or disappointment and highlights the good times and interesting memories. There is a feeling of mellowness, I can understand things, look at them much more objectively after a while, after all the passion and emotion has drained away. There are so many things to be learnt from past experiences. Life is not always fair, in fact, it is most often not, but the key lies in learning to deal with it. Life teaches me so many little things. Looking back, although painful at times has made sure I watch my step in the second round.
This is a brand new year. I don’t know what it holds in store for me but I do know it will be eventful and memorable, perhaps more memorable than this one that is just passed. I don’t know. But I do know that I won’t be alone. I do know that I’ll have people who love me and will be there for me. And I do know that I cannot let myself break for any reason cos that is not what I am meant to do. And hopefully, I will learn to be a much better human being.
I welcomed 2006 with a prayer in my heart; a prayer that much more than I expect, I must learn to give, to love and to serve. And when I find my heart at peace, I will know that I have drawn one step nearer my goal, this goal that can never be achieved completely.
Yo, 2006!

2005-11-24T01:06:00.000-08:00

CLEANLINESS IS NEXT TO IMPOSSIBLE…..

Cleaning is such a depressing word. Being one of the untidiest persons alive, putting my room straight is a huge and pretty pointless task. I do it now and then when I find that there is no more floor space to walk on or when someone is coming over. And since my cousin was coming over and needed to sleep in my room, I was forced to clean it. It took me two whole days cos I was doing it, distracted and vague individual that I am. First let me state that while my room may look like a melting pot of the world’s own rubbish, I know exactly where I can find any given thing. If u need those calligraphy nibs, they r under the bed, near my copy of the Gardner. The charcoal sticks? Look in the pile near the clothes rack. Not there, below those acrylics! What about that lump of clay? Wrapped in a damp towel and stuffed in a plastic cover under the cupboard, where else?? Well, whatever people think, my room is perfect!
I started with my bookshelf, a bad place to start. Pulled out all the books, dusted them and promptly started reading. Once I start reading, I’m stuck cos I tend to forget the time. So it took me around half a day cleaning an area a normal person would have finished in about an hour. Another thing I need to mention here is that I'm a pack rat. And that I hate throwing things away. Most of the time, I move things from one room to another, much to the frustration of the rest of the household. At this juncture of my slow and rather ineffectual tidying efforts, my sister joined me. Sangeetha’s idea of order and mine vary diametrically. For me, if I can find everything I need, that’s order enough for me. Sangeetha loves, absolutely loves throwing things away. She hates clutter as much as I thrive on it. She's like Appa that way. Appa lived 3 years in Lucknow in a three bedroom house with a bed, a sleeping bag when it got cold and a single shelf with all his clothes. He would be happiest living with a bed, 2 sets of clothes, a towel and a toothbrush. Till date, he can’t understand why amma wants anything else, he thinks the house is too crowded as it is and his greatest pleasure lies in giving or throwing things away.
Digressing as usual. Where was I? Oh yeah, Sangeetha. She started sorting thru my books and notes.
What are u doing?? Those are my notes!!
Buddhist Art?? That was your first semester paper, right? What do u want it for now?How do u know? I might need it for something.. Reference..
Bullshit, why would u? u just like junk lying about. This place is filled with rubbish!
Hey, do u know how many hours I sat in the library taking notes?? U leave them alone!
Ok, what about these loose sheets? Surely u don’t need them?
U bet I do! Those are my class notes for twentieth century! And I haven’t written that paper yet!
Oh please! This rubbish is the notes u took in class? On scraps of paper??
Well, I forgot to take a notebook, ok.
But look at them, they r just scribbles! How the hell do u make any sense out of them?
Well, they make sense to me, that’s enough. Now leave my stuff alone! Ill sort thru it myself.
Yeah, u’ll just put it all back. Right??
Ok, u can throw this away..
That’s one sheet, Sheila! That’s all you’re throwing away?
Hey, get off my back, ok!
And what about these drawing sheets. They r used..
No, I wanna use the back for practising. Put them back.
Just leave my stuff alone, ok. Ill handle it.
Pointless talk. I managed to sneak back half the stuff she threw away, she managed to throw away lots more.
It moved a lot faster after she came to ‘help’.
My room is clean now. Unrecognizably so. A neat room blanks my mind. Ideas r just not coming. My creativity got thrown out with all my junk. I cant find anything anymore. Help!!

2005-11-18T06:27:00.000-08:00

Culmination of a brilliant day. Had a blast. My cousin was staying over and we had so much fun, jammed in the evening, went for a party and got a gift. An unusually good day. Should have known it was too good to last. Ended it with a royal, all out screaming fight.

I don’t think I’ve lost my temper this bad for months…

I wonder why life is so complicated for me. Everyone understands life or think they do. I envy those who think they do. At least they’ve got it all figured out. Sometimes I don’t think I have a life. I just exist. Its so pointless. Nothing I do makes a difference. All I seem to do is mess up things worse than they were before. My awful temper. I thought I’d managed to get a grip on it. I say things I don’t mean, things that hurt and then in a little while, my temper’s gone but the damage is done. I feel horrible, but what’s the point? I try very hard to make amends even when the other person provoked the loss of temper. Well, words can never be taken back. How do I deal with someone who tells me they won’t be friends anymore? Who says I don’t know them at all and its better we don’t talk anymore. What does one do when apologizing doesn’t help? When the other person is so objectively cool? How can I deal with someone telling me they don’t care anymore what happens to me? I don’t know. I don’t know anything anymore.

Worst part was that it wasn’t even my fault. When someone does something that hurts u and u ask them about it, u don’t expect them to tell u it’s not a big deal, so what if I did? U don’t expect the person to yell at u and u don’t expect to find u trying to defend yourself. I shocked myself with my anger, I think. Well, its over. I've said I'm sorry. I don’t think I can do anything else. I don’t want to do anything else. The fact still remains that I’m miserable and that I hate me.

Please don’t comment on this entry.

2005-11-08T01:15:00.000-08:00

Calooh! Callay!

This is not a frabjous day, the jub jub is abroad and the jabberwock prowls. My arms are heavy with the vorpal sword and my heart refuses to sing.
I kneel by the tumtum tree and wish time passes more swiftly. The sun shines but my twee thrines are lost. My head whirls and the jabberwock draws near. The vorpal sword falls by the way, the tumtum tree no longer shelters and mome raths take the spoils. The wielsy leaves and droelwy paths lead me to places I do not wish to go.
Where is my beamish boy?? The jabberwock is here! And I have nothing to defend me with.. I am lost! I am slain!

I lie in fear neither here nor there, lost between two worlds. I know not my place, nor who I am or what I am to do. I am fled from my stronghold and the path is full of pitfalls. Who will hold my hand?
Why cry out, there is no one to hear. Why scream, no one comes.
The jabberwock is here with claws that catch, with jaws that bite.

I feel myself drifting away.

And there is nothing else.

2005-10-31T12:18:00.000-08:00

Ode to the land I love..
Very poetic, huh? When I think of how the western world seems to hold so much charm for the average Indian, it irritates me. What do they see in it anyway??
I love travelling and visiting new places but to live anywhere but in Chennai would be impossible for me. What would I do without the bustle of a bazaar, gully cricket, sand-garnished beach sundal and 10 rupees movie tickets? Where would one find the easy familiarity that allows one to drop in without a prior phone call? Forget me, how would children learn to be children in the antiseptic world abroad? Some of my best memories as a kid are building rivers in the mud outside my house and sailing paper boats in the pouring rain, leaping terrace to terrace while playing police and robber and arriving home at the end of the day with dirty clothes and a cut lip acquired after fighting on the road with boys. Can’t imagine doing any of it outside India. Would be hard-pressed to even find the mud to play in…
Where else in the world would u find the riot of colours one sees in a marriage celebration or at a temple festival? Where else the variety of languages, religions, food, culture? Maamis strolling to the temple sharing the latest gossip, someone breaking a pumpkin outside their shop to ward off the evil eye, a tender coconut seller deftly wielding his aruvaal, a lone painter high on his scaffolding, lettering a billboard, women, their hair wrapped in towels, putting kolams on their thresholds, rowers practising for the next regatta on the dirty adyar river, the guy with the pushcart selling plastic saamaan….I'd go crazy without it all. I love every nook and corner; every by-lane with its array of pavement shops, every tiny hotel serving fantastic food (well, diahorrea is a possibility but not for someone like me who has a cast iron stomach… heh heh...), the marina, the lights, sounds and colour!
As Kim says in Rudyard Kipling’s famous novel- this is a great and beautiful land, this land of Hind… and Chennai is the fairest of 'em cities!! I don’t say Chennai is perfect; far from it, there are a million things I’d love to see changed, but I wouldn’t exchange Chennai for all the convenience and modernity that the west has to offer.. No way!
Vive Chennai!

2005-10-29T00:26:00.000-07:00

I admire the Dadaists. They were mad.
I’m sorry for u, my reader cos I’m in a perverse mood today and am going to unreservedly crib. This is not an enjoyable blog, so read only if u r in as bad a mood as I am. And I warn u, ur mood will not improve.
The Dadaists were a set of free thinkers. They didn’t believe in the set principles of the world. They were rebels. Dada knows everything, Dada spits on everything. Dada has no fixed ideas. A reaction to the war, the Dada movement rebelled against very civilization itself. It’s rather difficult trying to describe a group who stated they were nothing, yet everything.
They were rather cool in the way that they tore apart everything, yet accepted everything. If someone entered their group and said he was an artist, he was. Even if he couldn’t lay pencil on paper. He was an artist cos that’s what he said he was and that’s all is needed for art. What is art anyway but an expression of self? Who can judge what is art and what is not?
What is the point, u may ask.
The point is that I have reached breaking point. I have been tolerating that my paintings are marked for the past two and half years and I haven't let it bother me too much. It is necessary that we need to be marked during the formative period so we grasp the basic principles but this is my third year and I don’t like it being dictated to me how I should express myself. Why do I have to put up with someone giving me a 70 for a painting just because they don’t like my style? I don’t paint for their satisfaction, I paint for mine. If I am not allowed to use my creativity, how can I call myself an artist? Where did free expression go??
Art is subjective and I don’t think anyone has the right to judge whether my work is good or bad or whether my friend’s work is better or worse than mine. Any 2 people might view the same work differently; one might feel I deserve 90; the other might hate my way of depiction and think I deserve 30. So where does that leave me? I don’t think marking art is either practical or useful except if one is trying to read into the viewer’s character, not the artist’s.
But why should I have a problem now? I've been known to stick on my walls works for which I’ve been marked 30 because I like it, even if my teacher doesn’t. I guess the end point is that rejection always hurts, even if one is blessed with a thick skin. I recently wrote a book review on the Zahir for my popular fiction paper and got marked 30 for that out of 50, which is also a rather sad mark. The point was that the teacher was not fond of philosophy and disliked the book. Even if I had just been marked for my grammar and basic writing skill, I should have got better marks. So where does she get off marking me subjectively for a piece of writing that is essentially me?
Rejection hurts. This world sucks. Big time.

2005-10-24T12:24:00.000-07:00

I was reading something today and came across the word benchmark.. Weird how a single word triggers a thousand memories.... It got me thinking of my English classes and i think thats what i'll write about today.I've always loved English class..English was the only paper i could score without touching the book and since i have been a book-a-holic from the time i could read (which was from the time i was five, i think) , i had very little problem with my grammar or composition. And i communicate much better in writing than by speech.. The only few years i had a problem were my 6th, 11th and 12th, when i hated my teachers. Well, I guess it is a bit difficult for the teachers to cope in schools where they have to deal with a class of 50, each student with different capabilities, but in many ways, its better not to be taught english at all than to be taught the way it had been done at school. Which brings me to the word benchmark.When i first entered college, we were split up into 3 streams. Heard the A stream or advanced stream was tough, so purposely wrote a bad essay in the aptitude test.. only 2 girls got thru in my entire class and one of them had to be me..and there were only 50 girls in my A stream class from my entire year. The first week was almost like a culture shock. There were no specified books and only our writing skills were concentrated upon.. We worked on paragraph writing - descriptive, narrative, analytical, response writing, note making and essay writing.. And the topics we took up!! Gender issues, dream theories, social themes.. It opened up a new world altogether. I mean, one can't talk about the tribes of India, the plight of the third sex or cross border conflicts without doing some serious time in the library. And everyone in my class was brilliant.. For me the transition from what my teacher in school expected from me and what i was expected to do in this class was frighteningly drastic. But after that terrifying first week when i felt most of what my class was talking about go whistling over my head, i settled down and started enjoying myself. The authors we took up were contemporary Indian ones - Mohinder Singh Sarna, Sujatha Bhatt, Ranjit Hoskote.. I discovered i hated indian authors. Most of them wrote very intellectual stuff that one had to read a few times to get the point of.. and most of them are depressing. Jhumpa Lahiri is reasonable, as in, i liked Interpreter of Maladies but i didnt enjoy her novel, the Namesake. Monica Ali's Brick Lane was nice as well, but one can hardly look to indian authors for entertaining reads. Most of them deal with the confusions an NRI goes through, a topic i dont give a damn about. I mean, why write in a style that gives your readers a headache?? Even if one is dealing with a serious issue, it can be written so that it is readable by everyone, which accounts for the popularity of books like the Alchemist that reach out to the common man..it is only in the intellectual circles that these books do the rounds and thats sad. Our debates were like raging wars and thoroughly entertaining to watch (i never took part, as i said, my communication skills start and end with the pen) and i marvelled at girls who knew so much and who could argue so forcefully....Ok, im getting off track as usual.Benchmark.. we were asked to write the third paragraph of an essay with the topic being benchmark. I almost cried. If i had been asked to write the first paragraph, its reasonable.. But third paragraph only?? Finally i wrote the first 3, then rewrote the third on a separate sheet and submitted it. Exam papers were scary things cos one never knew what to expect. My teacher was perfectly capable of giving a question like the benchmark one.. I remember once she gave us a question where she asked us to arrive at a statement on the word coercion and to build the same into a paragraph using an example. Scary. I was sure i'd fail every paper i attempted.Although in a lot of ways, it was one of the most demanding papers i had that year, it was also one of the most exhilerating.. To struggle for four hours in the library to produce five lines for a response writing assignment.. i've often asked myself if its worth it.. And i've always discovered that yes, it is worth it, not cos of my teachers approval of the style and content of my work but cos of the personal satisfaction that comes with doing a good job. And thanks to that one year, there is a very pronounced difference in my style and i have managed to get enough practice at writing so as to be able to write about anything, anytime. And that, my friends makes it worth all the struggle!
(The main reason i wrote this is cos i miss having english classes!! Took up popular fiction as my GE this year but it didnt come close.. sigh!!)

2005-10-22T08:32:00.000-07:00

when one thinks of overcoming one's fears, conquering the self and reaching a higher plane, one tends to connect it to something heroic or at least interesting.. well, for me, most of life's battles have been on a small scale.. actually they could hardly be called battles to anyone else..i had one such 'battle' today.
i went to the post office.
yeah, keep laughing, i know its funny..
firstly, i almost died in the attempt-reason #1 to call it a notable victory. reason #2 would be the overcoming of fear, self-conquering(almost destroying?) and the higher plane aspects. well, if anyone could make the trip to the post office the drama it was, it had to be me.
this morning, appa asked me to bulk post some letters for him at the mount road post office. and to buy an envelope and post another letter as well.. i seriously didnt feel like going outta the house and catching some dumb, crowded 27D, especially on the one day i didnt have to catch it for college. and i wanted to wash my hair; it was feeling like coconut coir...anyway, by the time i'd slowly, unwillingly, gotten ready, it was around 1.30. just lay down for a few minutes and managed to fall fast asleep.. and got up at 4.00. amma was back from work and i took her bike very happily.. managed to catch the evening traffic, almost miss the post office and very literally become a traffic-stopper by cutting across 3 lanes.. got some very interesting vocabulary in return for my thrill trip, though.. didnt know where to do the bulk posting, found out after wandering about a bit, went to the main post office to pay the receipt and then belatedly remembered about the individual mail. wandered about a bit more and managed to send off all the bulk mails.. then discovered that the envelope i had bought was a little too zealously stuck so i couldnt put the letter inside.. after some bitter complaints to the poor bulk mail attendant who had nothing to do with it all, i managed to stuff it in and mail it.. finally finished all the work and started back home.. was in a rather aimless mood and thats a little dangerous for me cos i tend to ride on automatic. and lose track of the route im taking. took some weird route and finally found myself thankfully on beach road. when i finally got back home, i found out that my mom had ridden past her friend's house by accident and that my sister had hit a car..... guess it runs in the family!!

2005-10-20T23:38:00.000-07:00

Phrases.
idle as dead leaves spinning in the breeze.
no need to reason.
just let go or regroup for further battle.
contemplate.
unity in isolation.

we had a workshop on spaces. pick a space, any space and look at it. what does that space mean to you? how do u react to that space? now work on what uve got. create art in that space. an art that defines both u and that space in the same breath. that was our brief. man, that was pretty depressing.. i was in no mood to think. all that was on my mind was how i was going to do 3 paintings in one week when i'd taken three months to do the first three. i think i snapped at anyone who was fool enough to get within a 2 mtr radius round me..
our group had 7 people and we picked 2 spaces that meant the most to us as a group. we picked performance art to express our ideas. one space was where we eat everyday, where we speak out, argue, gossip.. the other is this flight of steps near the canteen where we chill out when we bunk.. here we dont talk much, just sit around, read, msg.. sometimes one-on-one personal talk. two spaces that we reacted to so differently. we used footprints off different colours to link the 2 spaces. each colour signified one individual. and we read a poem at the end of the performance.
thats the poem at the head of this entry. and i thought up the whole thing.. theme, concept, presentation! cool, huh.. wrote the poem too.. was some last minute rubbish.. forgot all about it and then jus wrote somethin off the top of my head.. everybody was impressed.. mainly cos they couldn't really get what i was talkin about.. it sounded intelligent and high funda.. but all they are are just phrases that popped into my mind when i thought of that space.. hehehe.. well, the more impressive it sounds, the less people like admitting they dont get it.. no one likes looking dumb.. good for me.. if someone had asked me what it meant, i could have hardly given a satisfactory answer..
it was a nice exercise.. took a lot outta me those three days.. no one else outside of my dept could understand.. 98% of the world doesnt get what performance art is. and even if they do, they think- big deal. so they made some footprints. i could do that. well, they could if they thought the way i do. very few people think the way i do. most of them dont even know what i think. the workshop made no earthshattering change- our class is damn good and we came up with some brilliant stuff- but it did make me look at spaces a little more closely. each space means something different to each person. i mean, take the windowsill on the room on my terrace for instance.. to me its my all time favourite chill out spot.. ive sat there for hours, reading, msging, writing, doing homework, cramming last minute for an exam, just idly dreaming.. for my brother, its something to stand on so he can climb onto the roof and play police and robbers. for the maid, its something to keep the clips on as she hangs out clothes to dry..for others, it may just be a windowsill, nothing more.. see what i mean? we are all just passing thru, but each of us leave something of us behind. and that space records that memory.
hmmm.. i seem to specialize in writing things that are understandable only to me.. that was always my english teacher's complaint.. i think thats more than enough crap for one entry...